'I was 25 and editing Tatler magazine when Charles and Diana got together. Our staff mixed in her circles so we owned the story, getting scoops like interviews with her flatmates. But I didn’t fully process at the time just how young she was. Now, as a mother of a 30-year-old daughter, I think about her being just 19. Imagine marrying into a family that is so retrograde and stuffy at that age, and in that era. Many of the things that Meghan complained about were nothing like what Diana had to deal with. Back then, a lot of the courtiers were intolerable – now they’re far more modern.
Not only did Diana have to deal with that, but also the fact her husband had a mistress and wasn’t in love with her. When I was writing The Diana Chronicles, I felt strongly how deeply she was wronged by being the only person in the whole set-up who didn’t realise she was in an arranged marriage. That was the awful thing: Diana was a romantic teenager who thought she was marrying for love. They cast her for the role and she found herself living in a nightmare.
In 1985, I was editor of Vanity Fair when I published the first global story to describe how their marriage was going wrong. Charles and Diana were so offended by it that they went on the BBC to deny it. But the cracks were showing. When they went to the White House in November that year, and Diana danced with John Travolta, she conquered the US. She instinctively created iconic moments. She was so beautiful and so enchanting. Poor old Charles didn’t get a look-in, and he was jealous.
One of the great things about The Crown is that it shows the Diana problem, which was that she upstaged everybody. She was only doing what she was supposed to do, which was to star on behalf of the royal family. They should have been full of praise, but the royals are human and they got jealous. I remember one year when the Queen opened Parliament and Diana went with her in the carriage. She had swept her hair up into a new style, and all the press afterwards was about her new updo. Princess Margaret was absolutely furious: ‘How dare she upstage my sister!’ But it wasn’t Diana’s fault – everything she did was just wildly magnetic to the press.
Diana becoming a global celebrity completely skewed the dynamics of her relationship with Charles. He went from being genuinely proud and fond of her to being humiliated by her success. That’s what drove him back to Camilla. She was the one person who was never going to be dazzled by Diana. She was his number one supporter, best friend, lover.
It’s a very modern story in a way, about how men can feel insecure when they have a spouse who outshines them. Women since the year dot have had to put up with being in the background, when they’ve often contributed a massive amount to their husband’s success. They have to just suck it up, but Charles was not going to do that.
Diana was more spirited than we see in The Crown, where she is portrayed as downcast very quickly.
It’s admirable that Diana managed to fight her way out of it and turn all that pressure into something positive. She used her star power and humanity to benefit good causes, and it gave the most enormous boost to the concept of philanthropy. When she was photographed shaking the hand of an AIDS patient in hospital in 1987, it changed attitudes globally. Back then, there was a huge stigma around AIDS, and profound ignorance. She made a real difference.
Diana’s honesty about mental health issues, including her bulimia, postnatal depression and self-harm, was unheard of at the time. Her courage in talking about those things helped to destigmatise them. And it’s interesting to see how her sons have taken up the mantle of talking about mental health.
The royal family underestimated Diana because she was so young. If they’d dug a bit deeper, they would have known she came from a very troubled family. But there was this obsession with the idea that Charles had to marry a virgin. Frankly, Camilla was the perfect wife for Charles but, because she’d had a couple of boyfriends, she wasn’t considered good enough. As we’re now finding, Camilla has been the most epic success as Charles’s wife, she’s turned him around.
Emma Corrin is superb in The Crown; she’s captured completely Diana’s slightly flat, upper-class intonation. Diana probably wouldn’t have liked it, because nobody really likes the way that other people portray them. And she was more spirited than we see in The Crown, where she is portrayed as downcast very quickly.
I wonder if William will watch it. I’m sure Harry will. Well, I’m sure their wives will be watching it anyway, even if secretly on their laptops!
I don’t think Diana and Meghan are very similar. When Meghan and Harry got engaged, she was a very self-confident 36-year-old, used to the limelight. And it’s a different story. Meghan simply did not understand the royal world. She’s used to talking about her feelings and saying what she thinks, whereas that is not the way the British upper classes communicate. It’s about repressed suggestions and ironic comments. Diana understood. Her father was a courtier and she grew up in the shadow of Sandringham. It gave her fortitude because she was not intimidated. If Charles had stood behind her and been in love with her, then I think she would have found a way to deal with the royal family.'
Princess Diana's Best Fashion Moments
SEE: Princess Diana's Best Looks
1980
The young Diana Spencer wears a shirt and neck scarf in 1980 - take note if you want to channel this season's preppy vibes.
1980
Into the sweater vest trend? Diana shows you how to do it.
1981
As a soon-to-be-member of the Royal Family, Diana Spencer mastered her hat game fast.
1981
Sherbert dungarees and a sweet floral shirt were on the cards in 1981.
1981
Doing Big Collar Energy long before everyone else got the memo.
1981
Heritage checks on Diana; a kilt on Charles - you get one guess where they went on honeymoon in 1981.
1981
A shrobing masterclass, departing for her honeymoon in 1981.
1981
Leaning into her Princess role at the Victoria and Albert Museum in 1981.
1981
The ultimate wedding dress in 1981.
1981
This black sheep sweater has been reissued by Rowing Blazers.
1982
Polka dots, frills and a billowing silhouette in 1982. We would 100% wear this now.
1983
With Prince Charles and Prince William in 1983, in the perfect autumn outfit (seriously, where can we get those boots?!)
1983
One shoulder dresses were another Diana favourite.
1983
In 1983.
1983
A puffy sleeved statement blouse for the polo in 1983.
1983
In 1983.
1985
Demure at the front, daring at the back, in her liquid silver dress Diana ensured all eyes were on her at the A View to Kill premiere in 1985.
1985
Why blend in when can you can stand out? Head-to-toe red in 1985.
1985
Diana had a thing for bow ties, wearing one here in 1985 with a Jasper Conran skirt suit.
1985
Dancing with John Travolta at the White House in 1985.
1985
Is it just us, or does this bear a striking resemblance to Kate Middleton's favourite Alessandra Rich dress?
1985
A bohemian take on the tiara in Australia in 1985.
1985
Pretty sure we've seen this exact shirt all over Instagram.
1986
Colour and print weren't just for formal appearances, here in pink and white at Highgrove in 1986.
1987
More printed pants in 1987.
1987
Stealing the spotlight from the Hollywood glitterati on the Cannes red carper in 1987.
1987
In 1987.
1987
Another bow tie, this time in Lisbon in 1987.
1987
The princess of... punk? Diana wore red leather trousers for a night out to see The Phantom of the Opera in 1987.
1987
Perfect autumn outfit inspiration in Portugal in 1987.
1987
Embracing the military theme wearing Catherine Walker at Sandringham in 1987.
1988
Diana in a tuxedo in 1988. Perfection.
1988
Red + purple = Diana's favourite power couple.
1988
It was another star turn for Diana in Catherine Walker in Australia in 1988.
1988
What did we tell you about one-shoulder dresses?
1988
On the Isle of Wight in 1988.
1988
Such a look. Just take a moment to enjoy it fully. Western boots, jeans, a charity sweater, a mannish blazer and a cap: it shouldn't work but it does.
1989
Head-to-toe tartan for a visit to the Highland Games in 1989.
1989
What we would do to get our hands on this Zandra Rhodes dress Diana wore in 1989 (actually... What wouldn't we do?)
1989
In 1989.
1989
It's her favourite colour combination again in 1989...
1989
... Although she also had a soft spot for red and pink.
1989
The 'Elvis dress' - so called for the high neck and pearl embellishment - got its debut at The British Fashion Awards in 1989.
1990
At Sandhurst in December of 1990, Diana debuted a statement coat that wouldn't look out of place today.
1990
Another event, another white dress. This strapless beaded style was created by Catherine Walker, which Diana wore with her famous sapphire and pearl choker necklace.
1990
After Prince Charles required surgery on his arm, Diana took their sons to visit him and wore a nautical-inspired dress for the occasion with printed shoes.
1994
Designed by Christina Stambolian, this off-the-shoulder black dress became known as the 'Revenge Dress', so called because on the night Diana wore it, a documentary aired on television in which Prince Charles confessed to his affair with Camilla, now the Duchess of Cornwall.