In Defence Of Eating At The Cinema, Theatre And Anywhere You Want TBH

Imelda Staunton has become the latest actor to tell us what we’re allowed to consume in our leisure time, and Rhiannon Evans has had enough.

Popcorn

by Rhiannon Evans |
Updated on

I love Imelda Staunton. I’m excited about her being The Queen in The Crown. I’ve been to see her on stage – and loved it. I even watched the movie Finding Your Feet, cried and told other people to watch it. She’s great.

But I was saddened to see Imelda become the latest celebrity to bemoan people eating in the theatre. ‘Why are you selling crisps?’ she told the Radio Times. ‘I just do not get it. None of us can be without food for five minutes. And the drinks! Plastic glasses falling to the floor when there’s a quiet moment.’

She carried on to explain she once told off a fellow cinema-goer, saying, ‘A bloke came in with a big packet of Doritos and I just said to him, “What are you doing? You can’t eat those. You either eat them now before the film or afterwards.”’ The man apparently apologised.

Well, I’m sorry, but my name is Rhiannon Evans and I like to eat nachos at the cinema. Sometimes I’ll have popcorn. And I most definitely enjoy having a glass of wine at the theatre too.

For years, I was part of ‘The Church of Wittertainment’ – the popular Mark Kermode and Simon Mayo film podcast. A strong pillar of the church is The Code, which states you shouldn’t be eating anything louder than a soft bun. I listened away for years, my cheeks burning, knowing the truth, my sin. But I’m confessing now.

For theatre actors and film critics, I understand a cultural trip out becomes the norm – something you might do several times a week. I’ve lived part of that life – attending screeners used to be one of my favourite things to do in previous jobs and pre-parenthood. Culture, if you’re really lucky, can become part of your day job – and nobody needs to be ‘treating’ themselves at their day job all the time. A bottle of water at a 2pm screening in a hotel for the purposes of writing a review is fine. Popping from your London flat into the West End a couple of times a week, you probably don’t always fancy a glass of wine.

But yet again, I feel like Imelda and co have forgotten that for many of us, attending the cinema or theatre is a leisure activity, a release from the day-to-day grind, a treat. And, importantly, those visits can be few and far between.

I love going to the cinema and one of the most randomly affecting things that happened to me after having a baby was realising that I was able to go a lot, lot less. Same with going to the theatre. The opportunity to go is now few and far between. And it is a treat. Often, because of childcare it’s either a very indulgent solo trip - or one of about two date nights my husband and I have had in a year. Guys, I’ve not even seen Little Women yet. The theatre is a big deal – it’s often now combined with a night with friends that has been booked months in advance after a considerable amount of date-Doodling.

And when I go, I’ve got to be honest, and say this in the least Piers-Morgany way possible, but I HAVE PAID MY MONEY AND I WANT TO DO WHAT I WANT. That’s it really.

Going the cinema now feels exciting to me, a Saturday night out – and I treasure it. And the feeling of walking into the foyer and picking out what snacks I want is all part of it for me – the feeling I’m having an experience.

Many times I have sipped a glass of something in the theatre, before quietly and carefully placing it on the floor when the right moment occurs. In short, I’m an adult – and I act like one.

You might say: but, with your loud, crisping and crunching, you could be totally ruining someone else’s experience of their Saturday night out. Well, for one thing, if you’ve ever had those nachos, you’ll know they’re best served with gloopy cheese that renders the crisps satisfyingly soft. And I know the rustling can be irritating as someone opens a packet of sweets – but are you that hating of everyone around you, that momentary noise is that big of a deal? Popcorn can be noisy if you get a right old scoffer, but think back honestly - once you get past the credits (and eight million ads) and become engrossed in the film, how often have you been able to hear someone crunching for 90 minutes? When I went to see Knives Out recently, a guy sat next to me with some nachos – and it was only when the film ended, I realised I hadn’t heard a thing. Maybe he’s a sneaky-eating-super-spy, but to be honest, I just think I wasn’t that bothered – and he was, like most people, probably being considerate.

Because that’s what is also annoying about the comments of Imelda and others who tut as you open the Revels, they make you feel like you’re being ‘snobby-ed’ – i.e. that someone is lording it over you and being snobby about your behaviour. And that’s not nice.

I’m not stupid, I didn’t take a massive rustling paper bag stuffed with popcorn into The Quiet Place, or a film like Moonlight. I’ve quickly ripped the top off a bag of pick n mix during the loud opening fight scenes in a Marvel movie so reaching into it doesn’t make loads of noise for the rest of the time. And many, many, many times I have sipped a glass of something in the theatre, before quietly and carefully placing it on the floor when the right moment occurs. In short, I’m an adult – and I act like one.

Away from the multiplex, there’s also a rise in luxe-cinemas, where food is served to customers in reclining, cosy seats – everything from coffees and cakes to full meals. And guess what – those cinemas aren’t doing that because there’s no demand for it. It's easy to sit in judgement, but are you, honestly, deep down, actually a cinema chomper?

I imagine – having fought for 20 minutes to get a glass of rose in the interval before – that the drinks and food served in the theatre is also a big part of the business model that props the theatre up? If I’m honest, I do draw my own personal lines at eating much in the stalls – definitely I’d personally steer clear of those massively expensive, weird tubs of crisps you can buy. It does feel different in the quiet of live performance, when people like Imelda really are giving their all. But hands off my wine. And, to be honest, if someone has legged it from work to a show and needs to scoff something quickly, I don’t think I’d be too raging. Especially because I’m probably on my second (plastic) glass of wine.

So, join me, admit to being both a considerate adult, culture fan, and also a cinema snacker and a theatre drinker. It feels (and tastes) good.

READ MORE: Films That Taste As Good As They Look: Here’s What Happens At An Edible Cinema

READ MORE: Netflix Announces The Crown Will End After Season Five, With Imelda Staunton As Queen Elizabeth II

Gallery

12 Of The Most Fashionable Films In Cinema History

Heathers1 of 12
CREDIT: Rex

Heathers (1989)

Many style analyses have been applied to '80s teen movie Heathers, and for good reason.Who better than Heather, Heather, Heather and Veronica to show us the value of wearing matchy-matchy pleated skirts cut just above the knee, blazers with oversized shoulder pads, and teaming block-coloured leggings with socks and ballet flats for a mid-day game of crochet?

Carol2 of 12
CREDIT: Rex

Carol (2015)

When you're making a movie like Carol, where the clothes help tell us who the characters are, you need a costume designer who can double as a storyteller. Enter three-time Academy Award winner Sandy Powell OBE.Carol, set in 1952, was a critical period to dress for. And while we can all fantasize over luxurious red coats, muted coral palettes, big, jewel-encrusted brooches and silky scarves - Rooney Mara's character Therese lends herself to a more ordinary, slightly dowdy day-to-day style, highlighted by plain hairbands, plaid and simple long-sleeved shirts.

The Great Gatsby3 of 12
CREDIT: Rex

The Great Gatsby (1974)

There have been five motion picture incarnations of F Scott Fitzgerald's The Great Gatsby but one thing has remained the same throughout - the dazzling 1920s fashion.Looks seen in the 1974 Great Gatsby, starring Robert Redford and Mia Farrow, have gone on to be huge modern day womenswear trends. Think: silky underwear-as-outerwear, flapper dresses, low-heeled pumps and over-the-top headwear.The film's costume designer, Theoni V. Aldredge, won an Academy Award for her take on the rich, exuberant flapper style. However, it's been reported that the menswear in the film (think: sharp tuxes, pocket squares, jumpers resting over the shoulders and perfectly tailored shirts) was actually put together by their designer, Ralph Lauren, something many have furiously denied.

A Single Man4 of 12
CREDIT: Rex

A Single Man (2009)

When highly regarded fashion designer Tom Ford spent an alleged $7 million of his own money to get his directorial debut, A Single Man, made, it wouldn't be a shock if a few eyes rolled.But the film's expert costume design, moving story and the Academy Award-nominated performance by Colin Firth all came together to make the film brilliant - and the critics agreed.The combination of a muted, neutrals-focused colour palette, classic, everyday '60s style as inspiration and Tom Ford's penchant for a perfectly tailored suit (complete with pocket square and gold-plated tie clip) and the film naturally becomes one of our picks for most stylish.Let us also remember the old school styling in flashbacks of Colin Firth's characters, and never forget the fluffy, almost pink knit jumper worn by Nicholas Hoult.

Marie Antoinette5 of 12
CREDIT: Rex

Marie Antoinette (2006)

Sofia Coppola's third full-length film, featured hyper-stylised, intricate, pastel-coloured period costumes, which complemented the luscious, light pink and teal colour themes and cinematography. The film's aesthetic (and it's clothes) even landed an in-character Kirsten Dunst the cover of Vogue.Coppola's re-imagining of the former Queen of France has gone on to inspire numerous modern day beauty trends and even collections by brands like Wildfox.

Annie Hall6 of 12
CREDIT: Rex

Annie Hall (1977)

The Woody Allen-directed feature is largely regarded as a classic, mostly because Diane Keaton gives an incredible performance and cements her status as a cinematic style icon as the film's titular character. It's been reported that much of what makes Annie Hall's menswear-turned-womenswear look is the fact that many of the outfits she wore actually belonged to Diane herself.

Sex & The City7 of 12
CREDIT: Rex

Sex & The City (2008)

We would definitely upvote the TV show if that's what this was about – but since we can't include the classic series in a list about films, we'll have to settle for the first Sex & The City big screen outing. Carrie continues to make oversized floral details happen, while Miranda embraces glamour. Charlotte shows that mum style doesn't have to be frumpy, and Samantha is, well, still Samantha. Think more labels, higher heels and huge style statements.

The Devil Wears Prada8 of 12
CREDIT: Rex

The Devil Wears Prada (2006)

Of course a movie which delves into the hard-working world of fashion journalism is going to bring its A-game when it comes to costume design. Two words: Miranda Priestly.

Clueless9 of 12
CREDIT: Rex

Clueless (1995)

Clueless has become a cult film for fashion in the same way as Heathers – except Cher and her fellow high school queens can afford some serious high-end names. Perhaps the films two most iconic looks are Cher's matching yellow plaid blazer and skirt combo, and her penchant for knee high socks. But it's also worth taking note of the sartorial transformation of Tai, played by the late Brittany Murphy, as she transforms for normcore new girl to teen queen mean girl.

Dior & I10 of 12
CREDIT: Rex

Dior & I (2014)

This documentary follows the process of Raf Simons and colleagues putting together a collection for Dior. The collections may now be years old, but the couture dresses we see in development and on the runway are utterly timeless – in shape, fabric and colour.

Breathless11 of 12
CREDIT: Breathless

Breathless (1960)

Jean Luc Godard's Breathless is a classic piece of cinema for many reasons. But the film has since become iconic for its leading lady, Jean Seberg, and her character's timeless Parisian style. In a nutshell: striped Breton shirts, cigarette trousers, ballet flats, demure cardigans and knee-length dresses.

Pretty Woman12 of 12
CREDIT: Rex

Pretty Woman (1990)

Julia Roberts as prostitute Vivian falls for Richard Gere's character, and her client, Edward. The rags-to-riches story is one of the greatest classic romcoms of all time. It's not just notable for its plot, but also for the growth of Vivian's personal wardrobe.

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