Feeling emotional today? Well, this is not going to help one bit. Details of an emotional encounter are doing the rounds on Twitter after journalist Agnes Frimston comforted a woman crying in a bathroom stall with a very fitting poem.
‘Last night I was in a loo and a woman entered the only other stall crying’ Frimston tweeted this morning. ‘I did the awkward shout over and asked if she was ok or wanted to talk about it, or needed a hug.’
‘She was crying because she missed her mum, who had died. And wanted a hug’ Frimston continued in the thread.
Frimston then went on to include a screenshot of a poem, which she read aloud to the woman. The well-known poem, appropriately titled,‘To the Woman Crying Uncontrollably in the Next Stall’ by Kim Addonizio, has been a balm to countless upset women over the years.
‘When she came out she asked for my name and mobile number and because it’s very difficult to say no to a woman crying about the death of her mother, I gave them to her.’
The woman text Agnes later that night saying; ‘I will never ever forget your voice through the closed door. Thank you Agnes xx’
‘Anyway, this warmed me during a tricky week’ Frimston added. ‘Also it’s a bloody great poem and it’s rare to get such a perfect opportunity to loudly speak it through a loo door and over the sound of the weeing and weeping of a sad stranger.’
This heart-warming story has made us realise it’s about time we saved 'To The Woman...' to our phones for the next time we see or hear a woman crying in the bathroom – or anywhere else for that matter. Everyone needs to hear Addonizio's words sometimes.
READ MORE: Unique, Non-Awful Poems For Every Occasion
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Phenomenal Woman, by Maya Angelou (excerpt)
Phenomenal Woman, by Maya Angelou (excerpt)Pretty women wonder where my secret lies.I'm not cute or built to suit a fashion model's size But when I start to tell them,They think I'm telling lies.I say,It's in the reach of my arms,The span of my hips, The stride of my step, The curl of my lips. I'm a womanPhenomenally.Phenomenal woman, That's me.
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The Light Gatherer, by Carol Ann Duffy (excerpt)
The Light Gatherer, by Carol Ann Duffy (excerpt)When you were small, your cupped palmseach held a candleworth under the skin, enough light to begin,and as you grew,light gathered in you, two clear raindropsin your eyes,warm pearls, shy,in the lobes of your ears, even alwaysthe light of a smile after your tears.
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Progress, Rupi Kaur
Progress, Rupi Kaurour work should equip the next generation of women to outdo us in every field this is the legacy we'll leave behind
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You're, by Sylvia Plath
You're, by Sylvia PlathClownlike, happiest on your hands, Feet to the stars, and moon-skulled, Gilled like a fish. A common-sense Thumbs-down on the dodo's mode. Wrapped up in yourself like a spool, Trawling your dark as owls do. Mute as a turnip from the Fourth Of July to All Fools' Day,O high-riser, my little loaf.Vague as fog and looked for like mail. Farther off than Australia.Bent-backed Atlas, our traveled prawn. Snug as a bud and at home Like a sprat in a pickle jug. A creel of eels, all ripples. Jumpy as a Mexican bean. Right, like a well-done sum. A clean slate, with your own face on.
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Somewhere I Have Never Travelled Gladly Beyond, ee cummings
Somewhere I Have Never Travelled Gladly Beyond, ee cummings(i do not know what it is about you that closesand opens;only something in me understandsthe voice of your eyes is deeper than all roses)nobody, not even the rain, has such small hands
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Love Is A Place, by ee cummings
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How Do I Love Thee? (Sonnet 43), by Elizabeth Barrett Browning
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Love Cycle, by Chinua Achebe (excerpt)
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Haiku from The Narrow Road To The Deep North, by Matsuo Basho
Haiku from The Narrow Road To The Deep North, by Matsuo BashoSpring is passing.The birds cry, and the fishes fillWith tears on their eyes.
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The Friend, by A.A. Milne
The Friend, by A.A. MilneThere are lots and lots of people who are always asking things, Like Dates and Pounds-and-ounces and the names of funny Kings, And the answer's always Sixpence or a Hundred Inches Long. And I know they'll think me silly if I get the answer wrong. So Pooh and I go whispering, and Pooh looks very bright, And says, "Well, I say sixpence, but I don't suppose I'm right." And then it doesn't matter what the answer ought to be, 'Cos if he's right, I'm Right, and if he's wrong, it isn't Me.
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The Cherry Trees, by Edward Thomas
The Cherry Trees, by Edward ThomasThe cherry trees bend over and are sheddingOn the old road where all that passed are dead,Their petals, strewing the grass as for a weddingThis early May morn when there is none to wed.
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All You Own Is Yourself, by Rupi Kaur
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Will I have to be sexy at sixty?, by Pam Ayres
Will I have to be sexy at sixty?, by Pam AyresWill I have to be sexy at sixty?Will I have to keep trying so hard?Well I'm just going to slump,With my dowager's humpAnd watch myself turn into lard.I'm not going to keep exercising,I'm not going to take HRT,If a toy boy enquiresI'll say, "Hah! Hard luck squire!Where were you in 73...?"
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Everything Exists, by William Blake
Everything Exists, by William Blake For everything exists and notone sigh nor smile nor tear,one hair nor particleof dust, not one can pass away.
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Anne Hathaway, by Carol Ann Duffy
Anne Hathaway, by Carol Ann Duffy'Item I gyve unto my wief my second best bed…'(from Shakespeare's will)The bed we loved in was a spinning worldof forests, castles, torchlight, cliff-tops, seaswhere he would dive for pearls. My lover's wordswere shooting stars which fell to earth as kisseson these lips; my body now a softer rhymeto his, now echo, assonance; his toucha verb dancing in the centre of a noun.Some nights I dreamed he'd written me, the beda page beneath his writer's hands. Romanceand drama played by touch, by scent, by taste.In the other bed, the best, our guests dozed on,dribbling their prose. My living laughing love –I hold him in the casket of my widow's headas he held me upon that next best bed.
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Cozy Apologia, by Rita Dove
Cozy Apologia, by Rita Dove (excerpt)Cussing up a storm. You're bunkered in your Aerie, I'm perched in mine (Twin desks, computers, hardwood floors): We're content, but fall short of the Divine. Still, it's embarrassing, this happiness— Who's satisfied simply with what's good for us, When has the ordinary ever been news? And yet, because nothing else will do To keep me from melancholy (call it blues), I fill this stolen time with you.