Women’s Prize For Fiction: Revealing The 2021 Shortlist

The Vignes twin sisters will always be identical. But after growing up together in a small, southern black community and running away at age sixteen, it's not just the shape of their daily lives that is different as adults, it's everything: their families, their communities, their racial identities. Ten years later, one sister lives with her black daughter in the same southern town she once tried to escape. The other secretly passes for white, and her white husband knows nothing of her past. Still, even separated by so many miles and just as many lies, the fates of the twins remain intertwined. What will happen to the next generation, when their own daughters' story lines intersect?

Piranesi lives in the House. Perhaps he always has. In his notebooks, day after day, he makes a clear and careful record of its wonders: the labyrinth of halls, the thousands upon thousands of statues, the tides which thunder up staircases, the clouds which move in slow procession through the upper halls.Twice a week Piranesi sees his friend, the Other. At other times he brings tributes of food and waterlilies to the Dead. But mostly, he is alone. Messages begin to appear, scratched out in chalk on the pavements.There is someone new in the House. But who are they and what do they want? Are they a friend or do they bring destruction and madness as the Other claims?

Twins Jeanie and Julius have always been different. At 51 years old, they still live with their mother, Dot, in rural isolation and poverty.Their rented cottage is simultaneously their armour against the world and their sanctuary. Inside its walls they make music, in its garden they grow (and sometimes kill) everything they need for sustenance. But when Dot dies suddenly, threats to their livelihood start raining down.At risk of losing everything, Jeanie and her brother must fight to survive in an increasingly dangerous world as their mother's secrets unfold, putting everything they thought they knew about their lives at stake. This is a thrilling novel of resilience and hope, of love and survival, that explores with dazzling emotional power how the truths closest to us are often hardest to see.

As a child Gifty would ask her parents to tell the story of their journey from Ghana to Alabama, seeking escape in myths of heroism and romance.When her father and brother succumb to the hard reality of immigrant life in the American South, their family of four becomes two – and the life Gifty dreamed of slips away. Years later, desperate to understand the opioid addiction that destroyed her brother's life, she turns to science for answers. But when her mother comes to stay, Gifty soon learns that the roots of their tangled traumas reach farther than she ever thought.Tracing her family's story through continents and generations will take her deep into the dark heart of modern America.

In Baxter's Beach, Barbados, Lala's grandmother Wilma tells the story of the one-armed sister, a cautionary tale about what happens to girls who disobey their mothers. For Wilma, it's the story of a wilful adventurer, who ignores the warnings of those around her, and suffers as a result.When Lala grows up, she sees it offers hope – of life after losing a baby in the most terrible of circumstances and marrying the wrong man. And Mira Whalen? It's about keeping alive, trying to make sense of the fact that her husband has been murdered, and she didn't get the chance to tell him that she loved him after all. How the One-Armed Sister Sweeps her House is the story of three marriages, and of a beautiful island paradise where, beyond the white sand beaches and the wealthy tourists, lies poverty, menacing violence and the story of the sacrifices some women make to survive.

A woman known for her viral social media posts travels the world speaking to her adoring fans, her entire existence overwhelmed by the internet – or what she terms 'the portal'. Are we in hell? the people of the portal ask themselves. Are we all just going to keep doing this until we die? Suddenly, two texts from her mother pierce the fray: 'Something has gone wrong' and 'How soon can you get here?' As real life and its stakes collide with the increasing absurdity of the portal, the woman confronts a world that seems to contain both an abundance of proof that there is goodness, empathy and justice in the universe, and a deluge of evidence to the contrary.