It’s been ten years since Mamma Mia! danced its way into our hearts: a full decade since Meryl Streep donned a pair of overalls to sing Money, Money, Money while fixing paving slaps in a Greek island resort; since former 007 Pierce Brosnan, standing on a lonely hilltop, tore his way through SOS with all the well-meaning pathos - and total disregard for tune - of a dad at a wedding disco. Appropriate, really, given that the two words to best tie together Mamma Mia!’s tenuous iPod-set-to-shuffle plot are ‘dads’ (always plural) and ‘wedding’ (the third word would, of course, be ‘ABBA’). It was objectively terrible, it was utterly joyful, and it managed to raise the best part of £70 million at the box office. But did we really need any more?
When it comes to lucrative sequels, the phrase ‘here we go again’ is one you’ll hear critics utter with a sense of déjà vu and a cynical eye roll. For Mamma Mia! 2, it’s actually the film’s subtitle, so the potential for an own goal is huge. But that brilliantly brazen move just encapsulates everything that's great about this second act: yes, it re-treads everything you loved (or loathed) about the first film, but does so with a constantly arched eyebrow. There’s a sense of self-awareness to Here We Go Again that means everyone is in on this joke, amiably poking fun at the film’s expense. Meta and feta, you might say.
The curtain opens on Amanda Seyfried’s Sophie (still the standout singer in an often vocally-challenged cast) as she prepares to relaunch the hotel her mother Donna (Meryl Streep) toiled over in the first movie. As you’ve probably gleaned from the trailers, Donna is sadly absent and Sophie must fend for herself, helped out only by her hotel manager, the conveniently Latin-American Senor Cienfuegos (can you guess his first name? Or should I say, can you hear the drums?). At the same time, she’s got a transatlantic relationship to maintain with her boyfriend Sky (Dominic Cooper). The Mamma Mia! extended universe is, of course, dictated by the discography of ABBA (this time around, the hits are more Silver than Gold, though a handful of favourites are reprised with gusto). This means that Sophie and Sky have to break up, because sad-banger One Of Us is one of the few songs the producers haven’t used up yet.
Though her beachy waves remain impeccable, Sophie is pensive, and her thoughts keep returning to her mother: what actually happened in the 'last summer' that Colin Firth dolefully recalled through song in the last film? Because Here We Go Again is both sequel and prequel, we soon find out. Lily James has the unenviable task of portraying Streep's character as a young woman in these flashback sequences: not only does she have the beachy waves required to plausibly play Seyfried's mother, she also boasts a great voice and is clearly having (for want of a better phrase) the time of her life in the role. We follow young Donna as she meets each of Sophie's three potential fathers, younger analogues for the holy trinity of Pierce Brosnan, Colin Firth and Stellan Skarsgard. (A moment, please, for the casting director that let the hapless intern from W1A play a young Colin Firth). As we know from last time, she also sleeps with each of them, and in a strange turn of events, Here We Go Again might just be the most sex-positive film you see this summer (albeit it in a distinctly PG way). If this was Love Island, not Kalokairi, Donna would probably be vilified; in an ABBA movie musical, there’s no judgement: three potential dads just means bigger dance sequences.
There are plenty of attempts to top the first film’s record for truly bizarre musical set pieces. Where Mamma Mia! had hundreds of men in snorkelling gear dancing on a jetty to Lay All Your Love On Me, the sequel has a Waterloo set-piece taking place in a Napoleon-themed restaurant, complete with baguette-based air guitar; any film that names a minor character Fernando purely so that Cher can arrive on a helicopter to sing that song surely deserves a place in the canon of camp. The same self-awareness brings us some of the film’s best lines. In one of the flashback sequences, the younger version of Christine Baranski’s wine-toting sidekick breaks the fourth wall as she spots yet another of Donna’s photogenic suitors, asking the (yes, largely female) audience ‘What kind of island IS this?’
So, do we need a Mamma Mia! sequel? The answer to that question will always be contingent upon your personal tolerance for the back catalogue of a certain Swedish pop group. But if you’re prepared to suspend your cynicism for two sun-soaked hours, Here We Go Again is a delight, best enjoyed with irony, a full heart and a series of wine glasses as huge as those that Christine Baranski’s Tanya totes around.
Catch up on the best films of 2018 in the gallery below...
Best films 2018 grazia SLIDER
1 of 21Ocean's 8
The prospect of a gender-flipped re-boot doesn't always fill us with anticipation, but that's not the case with Ocean's 8, which has managed to cast - deep breath - Sandra Bullock, Cate Blanchett, Helena Bonham Carter, Sarah Paulson, Mindy Kaling, rapper and comedian Awkwafina and Rihanna as a gang of con artists orchestrating a jewel heist at the Met Gala (Anne Hathaway plays their target). Given the star power involved, here's hoping they pull it off…Summer
2 of 21On Chesil Beach
Having earned her first Oscar nomination (aged just 13) for Atonement a decade ago, Saoirse Ronan returns for another Ian McEwan book-to-film adaptation (this one with a script by McEwan himself). Based on the Booker-nominated novella and set in 1962 (the year before sex 'began,' as Philip Larkin would put it in Annus Mirabilis) On Chesil Beach follows a newly married couple on their honeymoon, tentatively preparing to navigate the physical and emotional awkwardness of their first night together. Billy Howle stars opposite Ronan, alongside Emily Watson and Anne-Marie Duff.15th June
3 of 21Thoroughbreds
Playing out like a millennial Cruel Intentions with darker laughs and an even darker ending, Thoroughbreds is as poised and fast-paced as its title would suggest. Anya Taylor-Joy and Olivia Cooke make a compellingly twisted duo as Lily and Amanda, two privileged Connecticut teens who'd drifted apart until the latter's mum bribes the former to assist her daughter with SAT prep. Type-A Lily soon becomes fascinated by Amanda – and by whispered rumours about her pet horse's grim fate, too – and recruits her into an increasingly sinister campaign against her hateful stepfather.9th March
4 of 21Mamma Mia: Here We Go Again!
Everyone's favourite guilty pleasure musical (OK, my favourite guilty pleasure musical) is back for a sequel that's also a prequel: Lily James plays the twenty-something iteration of Meryl Streep's Donna, who's torn between younger versions of the three love interests we met in the first film. As the story jumps from past to present, the old gang of Amanda Seyfried, Dominic Cooper, Colin Firth et al is back, but a question mark hangs over Donna's fate – luckily, Cher has been drafted in for a cameo to distract from her absence. The question that no one's asking, though, is how have the producers eked out a sequel when the first film tore through almost every song on ABBA: Gold? 20th July
5 of 21Mary Poppins Returns
53 years after Mary Poppins floated into the London sky, umbrella in hand, Emily Blunt will take on Julie Andrews' iconic role in an all-singing, all-dancing sequel – and as far as re-castings go, this one appears to be practically perfect in every way. Set in 1930s London, Mary Poppins Returns picks up with Jane and Michael Banks (played by Emily Mortimer and Ben Whishaw) as adults with children of their own. Meryl Streep, Colin Firth, Angela Lansbury, Julie Walters and Hamilton creator Lin-Manuel Miranda (who's also worked on the musical numbers) round out an all-star cast.25th December
6 of 21First Man
Ryan Gosling re-teams with La La Land director Damien Chazelle for a new biopic that's stratospheres away from his love letter to old Hollywood musicals. First Man follows Neil Armstrong (Gosling) as he prepares to make the first landing on the Moon. The Crown's Claire Foy joins him as Janet, Armstrong's wife, in what will doubtless be her most awards-friendly role since taking on Queen Elizabeth II. Chazelle's film, which he's previously described as 'a mission movie' over a straightforward biopic, has been in development since 2014, and features a script by Josh Singer, who wrote 2016's Best Picture winner Spotlight.
7 of 21The Post
Meryl Streep, Tom Hanks, Steven Spielberg and the Pentagon Papers leak: everything about The Post implies guaranteed success come awards season. Its subject matter, too, couldn't feel more timely. Streep plays Washington Post publisher Katherine Graham, the lone woman in the editorial boys' club, as she grapples with the ethical implications of her paper publishing (or not publishing) a classified report which reveals how successive US governments had stepped up the conflict in Vietnam. In other words, it's about holding those in power to account. A must-watch.19th January
8 of 21Black Panther
It doesn't arrive in cinemas until next month, but Black Panther – the first standalone movie in Marvel's extensive stable to be fronted by a black superhero – is already setting records, beating Captain America: Civil War to become the studio's most pre-ordered film in the 24 hours after tickets became available. As T'Challa, the hero of the title, Chadwick Boseman heads up a cast that features Angela Bassett, Lupita Nyong'o, Michael B. Jordan and Get Out's Daniel Kaluuya. Here's to a future where Marvel movies don't exclusively star white guys named Chris…12th February
9 of 21Fantastic Beasts: The Crimes Of Grindelwald
After 2016's inaugural Potter spin-off Fantastic Beasts and Where to Find Them comes the second in a planned five-part series, bearing the ever-so-slightly cumbersome title The Crimes of Grindelwald. Plot details have, of course, been kept largely under wraps, but we can expect to see Eddie Redmayne's Newt Scamander teaming up with Jude Law's Young Dumbledore to take down the dark wizard of the title. Johnny Depp's casting has (rightly) proved controversial: can the producers' decision to stand by the star in the wake of domestic abuse allegations stand up in the Times Up era?16th November
10 of 21A Wrinkle In Time
Madeleine L'Engle's fantasy epic isn't widely read this side of the Atlantic, but it's a beloved childhood favourite for many US readers. Now, the novel is getting the Disney blockbuster treatment with Ava DuVernay, the woman behind Selma and last year's The 13th, on directing duties. Joining her to tell the story of Meg (played by 14-year-old Storm Reid), a young girl who travels through space and time in search of her missing scientist father are Reese Witherspoon, Oprah Winfrey, Mindy Kaling and Chris Pine.9th March
11 of 21Solo: A Star Wars Story
Fashioning a back story for one of the most iconic screen characters of all time is no small task, and for a moment, it seemed like the latest addition to the Star Wars spin-off universe would end up trapped in development hell: the film's two directors, Phil Lord and Christopher Miller parted with Disney due to the classic 'creative differences' halfway through production, with Ron Howard drafted in at last minute to wrap things up. All this behind-the-scenes drama only serves to make Solo: A Star Wars Story the more intriguing. Set to mark a tonal shift from past installments (it's been billed as having a comedy-meets-western feel, whatever that means), it'll see Alden Ehrenreich stepping into Harrison Ford's shoes, with Donald Glover as Lando Calrissian and Emilia Clarke, Woody Harrelson, Thandie Newton and Phoebe Waller-Bridge in as-yet-undisclosed roles.25th May
12 of 21Isle Of Dogs
Wes Anderson's follow-up to The Grand Budapest Hotel__ was this doggie treat. A stop-motion animation in the vein of his Fantastic Mr Fox, Isle of Dogs is set in a dystopian Japan in which dogs have been confined to a garbage-strewn island after an outbreak of canine flu. This being an Anderson movie, the likes of Scarlett Johansson, Tilda Swinton, Edward Norton, Bryan Cranston and Jeff Goldblum are among those voicing the menagerie of canine characters.
13 of 21Phantom Thread
Daniel Day Lewis' last role (or so he says – the three-time Oscar winner has a habit of announcing a career break then making a suitably dramatic return) sees him play a twisted 1950s couturier in Phantom Thread. So far, the film, directed by Paul Thomas Anderson, has garnered five star reviews across the board and a clutch of awards nominations, too, while the dreamy New Look-style ball gowns are worthy of a real-life runway.2nd February
14 of 21I, Tonya
They say the truth is stranger than fiction: that seems, at least, to be entirely correct when it comes to the curious case of Olympic figure skater Tonya Harding, who fell from grace when she became implicated in a brutal attack on Nancy Kerrigan, her team mate and rival. To play Tonya (and to play against her superlative looks), Margot Robbie was transformed with layer upon layer of prosthetics. A classic awards tactic, yes, but one that's apparently paid off: her performance has so far earned nominations from both the Golden Globes and the BAFTAs.16th February
15 of 21Red Sparrow
Jennifer Lawrence goes full femme fatale in Red Sparrow, playing a Russian ballerina who's forcibly recruited by the secret service. Once she has been trained up as a super-spy, she begins to question her loyalties when she embarks upon a relationship with a CIA agent. Based on that synopsis, we're expecting glossy, high octane thrills, with J. Law back in quasi-superheroine mode after a post-*Hunger Games *and X-Men lull. Charlotte Rampling, Joel Edgerton and Matthias Schoenaerts also star. 2nd March
16 of 21The Shape Of Water
If you were enchanted by the dark dreamscape of Pan's Labryinth, Guillermo del Toro's fantastical Spanish Civil War allegory, prepare to get excited for The Shape of Water, a 60s-set love story that's also a B-movie thriller. Sally Hawkins is expected to pick up an Oscar nomination for her performance as a mute cleaning lady who's captivated by a fish-man hybrid held in the high-security lab where she works. A touching romance that's far from the Hollywood norm unfolds, and like many of this year's awards hopefuls, it's not hard to read between the lines to infer a timely message, one of tolerance and acceptance.14th February
17 of 21Molly's Game
If you haven't already caught Molly's Game, the directorial debut from West Wing screenwriter Aaron Sorkin, may we kindly recommend that you do so, ASAP? Flawlessly delivering Sorkin's trademark mile-a-minute dialogue, Jessica Chastain gives an electrifying, can't-take-your-eyes-off-the-screen performance as Molly Bloom, the former Olympic skier who became the host of an underground Hollywood poker game which eventually counted A-listers and billionaires among its players. Out now
18 of 21Mary, Queen of Scots
Saoirse Ronan stars as the ill-fated Mary Stuart, the Scottish queen who became embroiled in intrigue when she made a play for the British throne, in this first screen effort from Josie Rourke, the departing Donmar Warehouse creative director. It also marks Margot Robbie's second film make-under of the year, decked out in ashy white make-up and a flaming red wig to play Elizabeth I, Mary's cousin and rival. The likes of David Tennant, Guy Pearce and Joe Alwyn also star.November
19 of 21Annihilation
From the director of Ex Machina, Alex Garland, comes Annihilation, a sci-fi-horror-thriller mash-up that promises to be just as cerebral and troubling as its predecessor. Based on the novel by US writer Jeff VanderMeer, it'll star Natalie Portman as a biologist who joins an all-female expeditionary group (featuring Jennifer Jason Leigh, Gina Rodriguez and Tessa Thompson) venturing into an environmental disaster zone. If new reports prove correct, it's set to sidestep a cinema release in the UK, instead dropping onto our Netflix dashboards this spring. Spring
20 of 21Three Billboards Outside Ebbing, Missouri
A pitch-black tragicomedy from the writer of In Bruges, Three Billboards Outside Ebbing, Missouri sees Frances McDormand as a grieving mother burning with righteous anger: after local police are no closer to catching her daughter's killer one year on from the murder, she rents a trio of billboards in an attempt to shame them out of their stupor. While the film has already proved critically divisive (with its problems centring around the racist cop played by Sam Rockwell), McDormand's blistering foul-mouthed performance is certainly worth your attention.Out now
21 of 21Lady Bird
As far as concepts go, Greta Gerwig directing Saoirse Ronan in a coming-of-age story set in early Noughties California might sound too good to be true, but that's Lady Bird's exact premise. Having already proved a major hit with US cinemagoers and critics (landing – for a time – the coveted 100 percent rating on review aggregate Rotten Tomatoes), it'll finally arrive on UK screens in the thick of awards season in February. Manchester By The Sea's Lucas Hedges and Call Me By Your Name's Timothée Chalamet pop up as the self-nicknamed 'Lady Bird's love interests, while Laurie Metcalf is generating Oscar buzz with her nuanced performance as the title character's mother.16th February