If there's one thing that we really, really love, it's when a celebrity writes poetry. The day that Justin penned a poem about Hailey, our world ground to a halt. And now, despite the fact they've only been dating for seven and a half minutes, Cody Simpson has written a poem about Miley.
The poem reads:
The moon’s souvenir
the boulevardier
a ballerina on the promenade
we open our curtains
to the domesticated world
for a natural hour
spinning elvis records
and making love
in the soft jewelled morning
The poem is a dizain, otherwise known as a ten line poem. It's a traditional enough format though less popular than the sonnet which is the most traditional form of love poem and has 14 lines.
In terms of a rhyme scheme, Cody has gone for a casual approach, rhyming the first two lines but then promptly dropping the rhyming scheme. This could be a metaphor for the way that relationships shift from the early stage where you're in perfect sync to the later stages where a greater level of communication is required. Or it could be that he couldn't think of anything to rhyme with promenade. The scansion is arguably lacking, but might have been designed to be read rather than spoken.
Drinks in poetry are often used as semiotics (Emily Dickinson, for instance). In this case Cody mentions boulevardier, a cocktail which is made with whiskey, vermouth and Campari. They're all strong, alcoholic and highly flavoured, so the punchy and intoxicating drink may well speak to the power of the romance and the levels of intoxication he and Miley are currently experiencing..
The lines of the poem are enjambed, which means that they run on without punctuation. Often this is used as symbolism as well as to give the poem a fast flow when read out loud. It could be that Cody was attempting to send a message about the pace of modern love, or it could be that he CBA to use a comma. His lack of punctuation may have been an attempt to emulate E.E. Cummings.
The morning, mentioned in the final line, is a common motif in poetry, often used as a metaphor for fresh starts, new beginnings and the opening of a new chapter.
Cody signs off as 'Prince Neptune', an interesting choice of oxymoron, as Neptune is the king of the sea. It's an allusion to other great works such as John Hughes's The Court of Neptune, (1720).
We can't help thinking that Cody might do well to be reminded of the words of Elizabeth Bennet in Pride and Prejudice: 'Of a fine, stout love it may be [the food of love]. But if it is only a vague inclination I'm convinced one poor sonnet would kill it stone dead.'
Poems For Every Occasion - Grazia
1 of 16Phenomenal Woman, by Maya Angelou (excerpt)
Phenomenal Woman, by Maya Angelou (excerpt)Pretty women wonder where my secret lies.I'm not cute or built to suit a fashion model's size But when I start to tell them,They think I'm telling lies.I say,It's in the reach of my arms,The span of my hips, The stride of my step, The curl of my lips. I'm a womanPhenomenally.Phenomenal woman, That's me.
2 of 16The Light Gatherer, by Carol Ann Duffy (excerpt)
The Light Gatherer, by Carol Ann Duffy (excerpt)When you were small, your cupped palmseach held a candleworth under the skin, enough light to begin,and as you grew,light gathered in you, two clear raindropsin your eyes,warm pearls, shy,in the lobes of your ears, even alwaysthe light of a smile after your tears.
3 of 16Progress, Rupi Kaur
Progress, Rupi Kaurour work should equip the next generation of women to outdo us in every field this is the legacy we'll leave behind
4 of 16You're, by Sylvia Plath
You're, by Sylvia PlathClownlike, happiest on your hands, Feet to the stars, and moon-skulled, Gilled like a fish. A common-sense Thumbs-down on the dodo's mode. Wrapped up in yourself like a spool, Trawling your dark as owls do. Mute as a turnip from the Fourth Of July to All Fools' Day,O high-riser, my little loaf.Vague as fog and looked for like mail. Farther off than Australia.Bent-backed Atlas, our traveled prawn. Snug as a bud and at home Like a sprat in a pickle jug. A creel of eels, all ripples. Jumpy as a Mexican bean. Right, like a well-done sum. A clean slate, with your own face on.
5 of 16Somewhere I Have Never Travelled Gladly Beyond, ee cummings
Somewhere I Have Never Travelled Gladly Beyond, ee cummings(i do not know what it is about you that closesand opens;only something in me understandsthe voice of your eyes is deeper than all roses)nobody, not even the rain, has such small hands
6 of 16Love Is A Place, by ee cummings
Love Is A Place, by ee cummingslove is a place& through this place oflove move(with brightness of peace)all placesyes is a world& in this world ofyes live(skillfully curled)all worlds
7 of 16How Do I Love Thee? (Sonnet 43), by Elizabeth Barrett Browning
How Do I Love Thee? (Sonnet 43), by Elizabeth Barrett BrowningHow do I love thee? Let me count the ways.I love thee to the depth and breadth and heightMy soul can reach, when feeling out of sightFor the ends of being and ideal grace.I love thee to the level of every day'sMost quiet need, by sun and candle-light.I love thee freely, as men strive for right.I love thee purely, as they turn from praise.I love thee with the passion put to useIn my old griefs, and with my childhood's faith.I love thee with a love I seemed to loseWith my lost saints. I love thee with the breath,Smiles, tears, of all my life; and, if God choose,I shall but love thee better after death.
8 of 16Love Cycle, by Chinua Achebe (excerpt)
Love Cycle, by Chinua Achebe (excerpt)At dawn slowlythe sun withdraws hislong misty arms ofembrace. Happy loverswhose exertions leaveno aftertaste nor slushof love's combustion; Earthperfumed in dewdropfragrance wakes
9 of 16Haiku from The Narrow Road To The Deep North, by Matsuo Basho
Haiku from The Narrow Road To The Deep North, by Matsuo BashoSpring is passing.The birds cry, and the fishes fillWith tears on their eyes.
10 of 16The Friend, by A.A. Milne
The Friend, by A.A. MilneThere are lots and lots of people who are always asking things, Like Dates and Pounds-and-ounces and the names of funny Kings, And the answer's always Sixpence or a Hundred Inches Long. And I know they'll think me silly if I get the answer wrong. So Pooh and I go whispering, and Pooh looks very bright, And says, "Well, I say sixpence, but I don't suppose I'm right." And then it doesn't matter what the answer ought to be, 'Cos if he's right, I'm Right, and if he's wrong, it isn't Me.
11 of 16The Cherry Trees, by Edward Thomas
The Cherry Trees, by Edward ThomasThe cherry trees bend over and are sheddingOn the old road where all that passed are dead,Their petals, strewing the grass as for a weddingThis early May morn when there is none to wed.
12 of 16All You Own Is Yourself, by Rupi Kaur
All You Own Is Yourself, by Rupi KaurLet it go Let it leave Let it happenNothing in this world Was promised or Belonged to you Anyway
13 of 16Will I have to be sexy at sixty?, by Pam Ayres
Will I have to be sexy at sixty?, by Pam AyresWill I have to be sexy at sixty?Will I have to keep trying so hard?Well I'm just going to slump,With my dowager's humpAnd watch myself turn into lard.I'm not going to keep exercising,I'm not going to take HRT,If a toy boy enquiresI'll say, "Hah! Hard luck squire!Where were you in 73...?"
14 of 16Everything Exists, by William Blake
Everything Exists, by William Blake For everything exists and notone sigh nor smile nor tear,one hair nor particleof dust, not one can pass away.
15 of 16Anne Hathaway, by Carol Ann Duffy
Anne Hathaway, by Carol Ann Duffy'Item I gyve unto my wief my second best bed…'(from Shakespeare's will)The bed we loved in was a spinning worldof forests, castles, torchlight, cliff-tops, seaswhere he would dive for pearls. My lover's wordswere shooting stars which fell to earth as kisseson these lips; my body now a softer rhymeto his, now echo, assonance; his toucha verb dancing in the centre of a noun.Some nights I dreamed he'd written me, the beda page beneath his writer's hands. Romanceand drama played by touch, by scent, by taste.In the other bed, the best, our guests dozed on,dribbling their prose. My living laughing love –I hold him in the casket of my widow's headas he held me upon that next best bed.
16 of 16Cozy Apologia, by Rita Dove
Cozy Apologia, by Rita Dove (excerpt)Cussing up a storm. You're bunkered in your Aerie, I'm perched in mine (Twin desks, computers, hardwood floors): We're content, but fall short of the Divine. Still, it's embarrassing, this happiness— Who's satisfied simply with what's good for us, When has the ordinary ever been news? And yet, because nothing else will do To keep me from melancholy (call it blues), I fill this stolen time with you.