After 17 Years Of Writing About Anti-Ageing, This Beauty Editor Has Stopped Caring About It

It took one candid picture for Sonia Haria to rethink her perspective on ageing.


by Sonia Haria |
Published on

The irony isn’t lost on me: a 37-year-old beauty journalist who’s spent nearly two decades working in the very industry that peddles an obsession with youth – and has written a book about beauty – now doesn’t give a hoot about anti-ageing? Yes, it’s true. In fact, the older I get (and, reality check, I know 37 isn’t remotely old), the less I want to use anti-ageing creams and succumb to face-altering injectables.

It was a photo of me with my 18-month-old daughter that was the lightbulb moment. I wasn’t wearing any make-up and you could see the little wrinkles around my eyes, my hair was second or third day old and I was smiling at her. She was so happy and, in all honesty, it’s the most beautiful picture I’ve seen of myself for a long time.

Having children (I’ve got three) has certainly made me reflect on my own childhood and how it’s shaped my beliefs around beauty, a lot of which I’ve covered in my book, South Asian Beauty. As a young girl growing up in a large South Asian household on the outskirts of London, beauty and wellbeing always played a part in our lives. My grandmother’s dressing table was a magnificent mahogany creation with a shiny lacquer top and one of those classic tri-fold mirrors.

On top of the table were dozens of shiny pots in all different sizes, packed full with kajal crayons from India and ephemera from a life left behind in Kenya (where my grandparents and father, as a young boy, lived before moving to London in the 1960s). There were elegant mascara wands, tubs of creams, pots of cherry-red nail varnish and the most glamorous lipsticks.

Although there were lots of beauty- related items, things weren’t simply there for the purpose of dressing up or the end result. It was about the process and taking a little time out for yourself.

Sonia Haria
Sonia Haria with make-up artist Ruby Hammer

On Friday nights after dinner, my mum would get out the apparatus for her weekly facial: a large bowl, a kettle of hot water, some essential oils to sprinkle on the water and a fresh towel. She would steam her face at the dining room table, head over the bowl, and we just knew not to disturb her for those precious 10 minutes. I understood that how special that was from a young age.

But as a second-generation British- Indian, my own upbringing often felt at odds with the culture I was raised in. Any Millennial growing up as a teen in the ’90s and noughties can vouch for the amount of makeover shows on TV. Drastically changing one’s appearance through make-up or fashion was an enticing formula. I found the makeovers completely mesmerising, a fascination that proved useful for my career in beauty writing.

I began working on a newspaper at 20, fully intent on becoming a serious news reporter, but I was quickly seduced by the beauty desk. Working on a lifestyle supplement writing about beauty products? Yes please! This was a time of ‘It’ creams, Botox and ‘trout pout’ disasters. I was using retinol at 23, wreaking havoc on my skin with time-consuming 10-step beauty routines and volunteering to try lots of wacky treatments. When contouring became a thing, I was painting zebra stripes on my face in hope of chiselling my jawline. I got a ‘pob’ (a posh bob made famous by Victoria Beckham). I would regularly have eyelash extensions and felt naked without them. Fun? Yes. But did I need any of it? Nope.

Sonia Haria with her daughter

Since becoming a mother I feel it’s my duty to show my kids that life is about more than how you look. It’s how you feel. I’m very aware of the language I use about beauty around them, too, particularly given my job. Applying lipstick or concealer is never a ‘need’: I want them to see I’m happy in my skin with or without make-up.

As I get older, I’m returning to the principles of slow beauty that I grew up around. I love the meditative effect of my skincare routine, even though I now only use two or three products (including a retinoid to help with overall good skin).

I love how make-up gives me a little boost and can disguise a bad night’s sleep. At 37, I prefer how I look to when I was 27. My goal now isn’t to look radically different; I love the fact that I can see similarities in my features with my parents, sisters and kids.

Yes, it’s a cliché, but ageing really is a privilege and, to be honest, that’s the greatest beauty lesson of them all.

Beauty tips Sonia Haria will pass on to her daughter:

Sonia’s book, South Asian Beauty, £25, is out now.

Main image: Sonia Haria, captured bySarah Brown.

BUTTON

Just so you know, we may receive a commission or other compensation from the links on this website - read why you should trust us