Fashion Week AW22: All The Best Beauty Looks

At Victoria Beckham, natural beauty reigned supreme. Clean skin with a matte finish, and just the slightest slick of lip balm and combed through brows made for the ultimate fresh face.

Backstage, Stylist Cyndia Harvey used GHD tools to enhance and celebrate the natural movement and texture of the models' hair. Hair was allowed to air dry to capture the true shape, and curls and waves were defined with the GHD Thin Wand and Unplugged styler.

Sofia Tilbury at Charlotte Tilbury was the artist behind the looks at David Koma. Her inspiration? 'A sporty, post-gym glow. We wanted the models to look like they'd just been for a run, with a healthy-looking, dewy radiance.'

Make Up Artist Yin Lee used all Kevyn Aucoin products to create the ethereal, enchanted look backstage at Paul Costelloe. Skin was kept bright and glowy with Aucoin's Stripped Nude Skin Tint and Glass Glow Face Illuminator, but the star of the show was the statement eye - a smoky midnight blue finished with iridescent rhinestones.

At Rejina Pyo, clean, fresh skin was the star of the show, with some models sporting pops of colour in the form of a tomato red lip, while others wore natural, pinky balms.

Backstage at Rejina Pyo, models were prepped for the runway by Sunday Riley's Fashion Week facialists Luke Henderson and Jurga Maciene. Starting with Ceramic Slip Cleanser to pull dirt and impurities out of the skin, the refreshing Pink Drink spray followed to resurface and quench skin, and the Good Genes Glycolic Acid Treatment gave models their runway ready glow.

There was a rock and roll revival at Molly Goddard, and Thom Walker kept the make-up in line with the carefree attitude. "we kept the skin quite simple, and used a little Givenchy foundation for a super natural almost skincare based finish". And although Some of the girls had a soft, nude lip with a brush of foundation, six had a "blotted, blurred, deep red wine lip deliberately smudged, with no perfect edges. Even the same with the eyeliner, even though it was graphic, we took away all of the points".

Backstage skin prep came from 111Skin's Global Head Aesthetician Milena Naydenov. Starting by cleansing and a layer of 111SKIN's Antioxidant Energising Essence to boost hydration, a lymphatic massage then refreshed and contoured the face before applying one the brands iconic 111SKIN Facial and Eye Masks. "The Anti Blemish Bio Cellulose Facial Mask was popular amongst the models," says Milena. "Especially for catering to skin that is constantly combatting the consequences of heavy make-up." To finish? The Rose Gold Radiance Booster for luminous and radiant skin, with a natural, dewy sheen.

'Erdem's make-up direction for this season captures the photographer's intimate aesthetic and provides a moment that breaks through the darkness. The look is an informal complexion set against an occasional bright red lip,' says Jane Richardson, NARS' Global Artistry Director.

Backstage Larry King created the shows slick, androgynous, 1920s and 30s inspired hair look using a mousse, volumnising spray, and Dyson tools. First hair is blow dried with a round brush for straightening and shine, then the Corrale straighteners are used for a smooth finish, before creating a side parting and securing into a low ponytail. To finish off, the Dyson Supersonic's flyaway attachment ensures the super glossy finish that keeps stray hairs in check.

With nods to the swinging Sixties and great British countryside, Paul and Joe Beauté opted for nostalgic, graphic eyeliner with a contemporary twist. "It was all about the Paul and Joe glow, but with a graphic liner," said Jo Martin, Beauty Brand Manager. "We used black, brown or aubergine depending on the girls skin tone, and used the liquid eyeliner to do the base line. Brows were brushed up, but a nude matte lip kept it simple, just pressed into the centre". Think Edie Sedgewick meets the beauty muse for the show, Anya Taylor Joy.

bareMinerals matched their make-up to the feel of Rixo's 1930's inspired collection. 'Classic, feminine and fun' was their brief: it was interpreted with a glowy skin, balmy cheeks and smudged eyes.

Christian Cowan opted for glossy, smudgy eyes and clear glossy lips to accompany. Chic, but don't wear this one outside in the wind.

The theme here? Well placed gloss, apparently. Marrisa Wilson applied it strategically in the places you'd naturally get a little perspiration (the nasolabial folds) - but actually, it doesn't look sweaty. A few larger specks of glitter placed above the crease of the eye and underneath accompanied it.

XXL wings are in vogue, according to LaQuan. Eyeshadow is matched at equal length with the wing, and elongates the eye.

Neon, blocky, cobalt eyeshadow works particularly well against untouched skin in Dion Lee's show.

There was one common theme on the catwalks of Carolina Herrera: long, straight eyeliner. Surprisingly, it works - and doesn't drag the eye downward.

NARS were behind the looks at Tory Burch at NYFW. Make-up artist Diane Kendal says they wanted to highlight 'healthy skin, and they achieved the lit-from-within look using the new NARS Light Reflecting Foundation.'

Behind another NARS look, Diane Kendal combines a lightweight, luminous foundation with a strong, matte lip for 'the perfect play on textures.'

Stylist's at Dyson created this sleek braid-meets-bun. The key to a pristine parting? The Dyson Supersonic (with the Professional Styling Concentrator attachment) to direct airflow down the hair shafts at each side.

Zimmerman opted for blue liner that closely hugged the lashline.